Saxophonist Skerik’s Bandalabra has modern influences

By MOLLY GILMORE | Contributing writer • Published June 29, 2012

  • 0 comments

Skerik’s music is often classified as a hybrid of punk and jazz, but these days, the Seattle saxophonist is, if you’ll pardon the expression, feeling groovy.

SKERIK'S BANDALABRA

What: This Seattle quartet, featuring saxophonist Skerik, is celebrating the release of its album, "Live at the Royal Room." Opening the show is High Ceiling, a reggae-rock jam band from Shelton.

When: 9 tonight

Where: Olympia Ballroom, 116 Legion Way, Olympia

Tickets: $10 for adults, $8 for students

More information: olympiaballroom.com

Watch it: The band performs part of "Beast Crusher" during the making of "Live at the Royal Room" at youtube.com/watch?v+kEuo05FPyFE


“The primary focus is groove,” said Skerik (born with the name Eric Walton), a musician who inspires such sobriquets as “iconoclast” and “avant-saxophonist.”

He’s played in such bands as Critters Buggin’, McTuff, Garage a Trois, and the Dead Kenny Gs. (Yes, he names them himself.) Tonight, he’ll be in Olympia with his latest project, Bandalabra.

“It’s like my version of a funk band,” he said. “We have rhythm going, but it’s not like it beats you over the head. It’s more ‘polyrhythmic.’ We have West African influences and Bulgarian influences, but nothing literal.

“I’m trying to find a place for saxophone as a rhythm instrument.”

His goal for this band, he said, is “Fela Kuti sees Steve Reich in rock’s backyard.”

Kuti, a Nigerian musician and composer who died in 1997, fused jazz, funk, psychedelic rock and traditional West African sounds. Minimalist composer Reich is known for using tape loops to create repetitive patterns that shift and change throughout a piece of music, a technique that influences Bandalabra’s album, “Live at the Royal Room,” released in March. Reich has been called America’s greatest living composer.

So Skerik’s goal is a lofty one. According to a review by Matthew Shoaf on examiner.com, he and his collaborators achieve it.

“To my ear, they borrow some of the more advanced minimalist techniques from Reich (phase shifting, for example) and the popular sensibilities of Fela Kuti (danceable rhythms and references to popular genres),” Shoaf wrote.

The rest of the quartet is Andy Coe on electric guitar and Dvonne Lewis on drums, who both played in McTuff, and bassist Evan Flory-Barnes, with whom the saxophonist had long wanted to work.

“It’s all about creating a rhythmic weave amongst the four musicians on stage,” Skerik said.

The band has been together just a year, but the album came together easily.

“It was just one of those magical nights,” Skerik said. “Everything was clicking. We came up with those songs that night — it’s all improvisational.”

The album was made possible by a campaign on Kickstarter, a crowd-funding website for creative projects, he said. “It was great to get people’s generosity and support for the project.”

Similar stories:

  • Correction: Music-Brubeck Tribute story

  • N'Dour, Saariaho share Sweden's Polar Music Prize

  • Expect a fresh crop of albums for spring

  • Court let best candidate keep her victory

  • Vampire Weekend switch it up, some, on third album

COMMENTS Community Publishing Guidelines

Join the Reader Network

Do you want The Olympian to keep you in mind when we canvass the community for opinions?

Click here and sign up with our Reader Network to offer your view.