Local colleges bring The Bard back to life with two very different plays

By MOLLY GILMORE | Contributing writer • Published February 21, 2013

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How trendy is Shakespeare these days?

‘HAMLET’

What: The South Puget Sound Community College drama department presents what is arguably Shakespeare’s most famous play.

When: 8 p.m. today and Saturday plus Feb. 28-March 2; 2 p.m. Sunday and March 3

Where: Minnaert Center for the Arts at South Puget Sound Community College, 2011 Mottman Road SW, Olympia

Tickets: $12 general admission; $3 for high-school students and members of the Aspiring Actors Program; $7 for military, seniors and students

More information: olytix.org or 360-596-5411

‘THE WINTER'S TALE’

What: The Evergreen Shakespeare Society presents one of Shakespeare’s lesser-known plays, a dramatic tale of jealousy, deceit and love lost and found.

When: 7:30 p.m. today and Saturday; 2:30 and 7:30 p.m. Sunday

Where: Studio 4300 of the Library Building at The Evergreen State College, 2700 Evergreen Parkway NW, Olympia

Admission: Free; parking is $2 on weekdays, free on weekends.

More information: facebook.com/EvergreenShakespeare


Nearly every local theater company has produced a Shakespeare play in the past year or so. There’s even a young and edgy company – Animal Fire – devoted just to William Shakespeare.

And this weekend, two of Olympia’s three colleges are opening Shakespeare plays.

Both productions — “Hamlet,” in its opening weekend at South Puget Sound Community College, and “The Winter’s Tale,” this weekend only at The Evergreen State College — are set in a sort of nebulous time out of time.

And both directors have a great love for the bard.

Freelance director and teacher James Van Leishout is helming the SPSCC drama department’s “Hamlet,” one of Shakespeare’s most-produced works. Evergreen junior Allison Schneider is directing “The Winter’s Tale,” a rarely produced work from the end of Shakespeare’s career. Schneider revived the Evergreen Shakespeare Society, which is producing the show.

“The Winter’s Tale” is dramatic and at times shocking. It is centered on Leontes, a monarch much different than the introspective Hamlet. Schneider said she has long been interested in the play; she acted in a production of it in high school.

“It’s very real in terms of the interactions between the characters and the human emotions,” she said, “but it’s very fantastical in the feel of the play. It’s a fairy tale, a folk tale.

“I love Shakespeare,” she said. “The words that Shakespeare writes are words that so perfectly describe human emotion. It’s incredible. I feel like the human soul is expressed in Shakespeare’s words more than in any other words I’ve read.

“That’s why we’re still doing Shakespeare 400-plus years after he was writing plays.”

Van Leishout also loves Shakespeare for his language, and “Hamlet,” he said, is such a strong example of that.

“Of all the plays, it is most about language, about how words can be used to reveal the truth or to obfuscate,” said the director, who was the artistic director of the now-defunct Washington Shakespeare Festival. “Hamlet is a scholar, so the words are more important. They become his weapons, as opposed to a sword.”

Even the set incorporates words. “I saw a statue in Lincoln, Neb., which was huge pieces of steel with words cut out of them.

“We have faux-steel columns with words cut out of them. We’ve pulled quotes from the play and they will be lit up at certain moments.”

Don Welch, who runs the SPSCC theater department, chose the play for this season because he really wanted to expose students to the bard’s work — in part because so many local companies have been staging the works of Shakespeare.

“If students are going to go out and audition for these things, they need experience,” he said.

Last year’s “As You Like It” was the first Shakespeare play for SPSCC’s 15-year-old drama program. Van Leishout directed that one, too; Welch personally prefers to stick to more contemporary playwrights.

“I’m no good at Shakespeare,” he said, chuckling. “I have an expertise in doing modern American drama.”

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